Etelka Lehoczky
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At a time when comics and graphic novels were seldom released by mainstream publishers, Gina Gagliano worked tirelessly to put the genre on the radar. Now she's head of the Boston Book Festival.
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Eric Orner's book isn't just a great story, it's an enveloping visual experience crafted by a terrific artist; even if one paged through it without looking at the words, it would be a good read.
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Through her work, Israeli comics artist Rutu Modan suggests that only cartoon characters can possibly reflect the cartoonish levels of greed and self-deceit revealed as her tale unspools.
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Bishakh Som's new comics collection is uncanny and hard to categorize — science-fictiony, mythic and humanistic, without making any particular assumptions about where humans as a species are going.
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Nicholas Gurewitch scratched images into clay with a stylus for this tale of Death's visit to an analyst — who helps him come to terms with Death Jr.'s lack of interest in the family business.
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Passmore's timely new graphic novel is set in an unnamed city whose football team has just won the Super Bowl, setting off fiery riots. It's a biting satire of political action, race and capitalism.
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Cecil Castellucci and Jim Rugg's beloved young adult comic returns with a collection of old and new stories — and this time, our art-loving heroines are a little more grown up.
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Gou Tanabe's graphic novel adaptation of H.P. Lovecraft's novella makes its monsters both terrifying and weirdly human. Even if space spheres aren't your thing, Tanabe's art still prompts wonder.
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Comic artist Lynda Barry has a new book, Making Comics, and a MacArthur Genius Grant (though she says she hung up on the MacArthur folks repeatedly because she thought it was a robocall).
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Spoiler alert: Cecil Castellucci never became a filmmaker, despite her Hollywood dreams. But her new graphic memoir winningly recounts how she found her way as a novelist and comics writer.