Play Live Radio
Next Up:
0:00 0:00
Available On Air Stations

First Listen: Title Fight, 'Hyperview'

Title Fight's new album, <em>Hyperview</em>, comes out Feb. 3.
Susy Cereijo
Courtesy of the artist
Title Fight's new album, Hyperview, comes out Feb. 3.

Sometimes being a punk band means three fast power chords, and everyone's happy because three fast power chords are fundamentals of rock 'n' roll fun. Sometimes being a punk band means evolving from three fast power chords and hoping fans come along for a ride that might get darker and weirder.

Title Fight never kept its punk simple, as it looked to genre-expanders like Jawbreaker and Hot Water Music for inspiration. But over the course of two albums, as well as several EPs and 7" singles, the Pennsylvania punk band hinted at change. On its third LP, the perfectly titled Hyperview, Title Fight doesn't quite shed its punk roots — at least not entirely — but it does sound like something out of a dream spent underwater.

There are two sides to Hyperview that blur into each other: There's the Title Fight that — to tweak the Tropic Of Thunder character Kirk Lazarus' memeable pro-tip — goes full flange, and then there's the Title Fight that maintains an energy that obliquely comes from punk. Yes, yes, never go full flange, but in "Murder Your Memory," "Your Pain Is Mine Now," "March" and "Liars Love," there's a muted beauty to the band's jangly shoegaze that looks to Chapterhouse and Ride. "Liars Love," in particular, is an expertly written dream-pop song, its bouncy playfulness at odds with wax-dripped whammy-guitar bends and morose honesty ("Don't count on me / I'm not what you need").

For those new to Title Fight, there's lots of space to fall in love. But for those following along, much of Hyperview still holds on to the band's raw, uninhibited charm. "Chlorine" is a noisy piece of shimmery punk that coos as much as it seethes. With a title straight out of the 4AD catalog, "Trace Me Onto You" sounds like something from Title Fight's previous record, Floral Green, replacing distortion pedals with loads of chorus and reverb. But it's "Rose Of Sharon" that wants it all, exploding in hi-def drum fills and windmill-worthy chords. It's also the only track to feature bassist Ned Russin's hoarsely shouted vocals; they're what gave past albums their spit and vinegar while providing a stark contrast to the exuberant gleam surrounding them. It's enough of a wink to longtime fans, but Hyperview still expands the definition of punk, placing Title Fight's name alongside bands like Joyce Manor, Restorations and Chumped that do the same.

Copyright 2022 NPR. To see more, visit

Lars Gotrich
Listen to the Viking's Choice playlist, subscribe to the newsletter.